Guster: An Evening of Acoustic Music and Improv
Guster returns to The Sheldon for their first acoustic tour in 8 years, performing music from their latest album, Look Alive, and a mix of fan favorites and deep cuts, accompanied by strings!
The band says, “Look Alive is our 8th album. The bulk of it was recorded in a vintage keyboard museum in Calgary AB, during a January stretch when the temperature reached 30 degrees below zero. We ended up in Canada because our British producer, Leo Abrahams, couldn’t turn around an American work visa fast enough, and we feel lucky to have discovered Studio Bell at the last minute.
Despite having access to room after room of well-maintained analog keys, Leo gravitated to a cheap Ensoniq Mirage synth from the 1980s that made Janet Jackson Rhythm Nation-era sounds from floppy disks. Leo spent countless hours poring over these floppy disks while the band gawked at the mellotrons, harpsichords and other vintage equipment housed at Studio Bell. It was the beginnings of a stylistic clash that would ultimately play out beautifully. Our band had always gravitated to “warm” sounds. Leo would introduce us to “cold” sounds and the way they challenge us as listeners. He was the perfect complementary piece for Guster. After working with the late Richard Swift four years ago and discovering a more raw and vintage sound on Evermotion, we fully embraced studio production with Leo this time around. The sheer amount of production on Look Alive grew into its own statement. There is a lot to unpack. One day in Calgary we arrived at the studio to discover that Leo had put in a few extra hours on our song “Summertime.” He’d built an entire new intro using the Ensoniq Mirage overnight and played it for us. The band reaction wasn’t too kind. Our beautiful song now had a jarring, harsh, disruptive introduction, instead of the soft mellotron flutes we’d known. After some days of light bickering about it, Leo finally shed his proper British diplomatic side and belted out that “the world doesn’t need another f**king Beatles pastiche!” This would eventually become a rallying cry for the album as we strove to make something new and powerful together.