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Jason Isbell and the 400 Unit

September 10, 8:00 pm | Peabody Opera House | $36.50 - $57

Jason Isbell and the 400 Unit’s new album, The Nashville Sound, is a beautiful piece of American music-making, but watch yourself: it will light a fire under your ass. “You’re still breathing, it’s not too late,” Jason sings.

 

This album is a call, and the songs on it send sparks flying into a culture that’s already running so hot the needle on the temperature gauge is bouncing erratically in the red. And while it’s understandable that, in this moment, some people want their radio to help them drift away, this finely calibrated set of ten songs is aimed right between the clear eyes of people who prefer to stay present and awake. It’s a call to those who won’t cower no matter how erratically the world turns, and who aren’t afraid of what looks back when they look in the mirror. Bruce Springsteen did that. Neil Young did that. Jason Isbell does that. There are songs on this album that cut to the chase. “Last year was a son of a bitch for nearly everyone we know,” Isbell sings on the album’s first single, “Hope the High Road.” “But I ain’t fighting with you down in the ditch. I’ll meet you up here on the road.” As singular as that lyric is, there’s nothing coy or obtuse about it. Meanwhile, other songs here take a subtler tack.

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